Dark Clouds over the Valley, 2016, Acrylic plaster, aluminum, sand, acrylic, and ready-made thermal blanket, 63 x 42 x 88 in (160 x 106 x 224 cm)
Untitled 1, 2016, Dye sublimation on Chromaluxe metal panel, 35 x 53 in (90 x 135 cm)
Untitled 2, 2016, Dye sublimation on Chromaluxe metal panel, 35 x 53 in (90 x 135 cm)
Untitled 3, 2016, Dye sublimation on Chromaluxe metal panel, 35 x 53 in (90 x 135 cm)
Untitled 4, 2016, Dye sublimation on Chromaluxe metal panel, 35 x 53 in (90 x 135 cm)
Untitled 6, 2016, Dye sublimation on Chromaluxe metal panel, 35 x 53 in (90 x 135 cm)
Untitled 7, 2016, Dye sublimation on Chromaluxe metal panel, 35 x 53 in (90 x 135 cm)
Untitled 8, 2016, Dye sublimation on Chromaluxe metal panel, 35 x 53 in (90 x 135 cm)
Untitled 9, 2016, Dye sublimation on Chromaluxe metal panel, 35 x 53 in (90 x 135 cm)
My Worry Beads, 2015-16, Mixed media, 87 x 16 x 5 in (220 x 40 x 11 cm)
I Do Not See the Sky 2 (detail from installation), 2013, mixed media, 67 x 36 x 3 in (170 x 90 x 6 cm)
After 'How Far Would You Run with a Piece of Lead in Your Heart?', 2015, Acrylic on bronze cast and American oak wood, 17.5 x 26 x 5 in (44 x 66 x 12 cm)
After 'There Wasn’t a Man, Woman, or Child I Could Lift a Finger for', 2015, Acrylic on bronze cast and American oak wood, 17.5 x 9.5 x 5 in (44 x 24 x 12 cm)
I Do Not See the Sky (installation view), 2013, mixed media, 67 x 36 x 3 in (170 x 90 x 6 cm) each
How Far Would You Run With a Piece of Lead in Your Heart?, 2014, acrylic plaster and ready-made stretcher, Figure A: 95 x 22 x 26 in (240 x 56 x 65 cm), Figure B: 75 x 22 x 37 in (190 x 54 x 93 cm), Stretcher: 81 x 18 x 5 in (205 x 46 x 13 cm)
There Wasn't a Man, Woman, or Child I Could Lift a Finger For, 2014, Acrylic plaster and ready-made life buoy, 91 x 31 x 25 in (230 x 78 x 63 cm)
Installation view
My Worry Beads 1, 2014, ready-made fishing net floats, linen rope, and polypropylene yarns, 103 x 20 x 6 in (260 x 50 x 15 cm)
Six Blue Days, 2013, mixed media, variable dimensions
Six Blue Days (detail from installation), 2013, variable dimensions
Six Blue Days (detail from installation), 2013, variable dimensions
I Saw Myself from the Outside, 2013, soft wax, pigment, electric bellows and kitchen work table, 40 x 51 x 25 in (100 x 129 x 63 cm)
Whispering, 2013, soft wax, pigment, electric bellows and kitchen cart, 37 x 24 x 19 in (93 x 60 x 46 cm)
Neither a Boy Nor a Girl, 2012, polyurethane rubber, 15 x 12 x 5 in (36 x 29 x 12 cm)
Mud, 2014, mixed media, 20 x 24 x 16 in (49 x 60 x 40 cm)
Any Minute Something Can Happen (detail from series), 2014, digital print and wood frame, 16 x 16 in (41 x 41 cm)
Any Minute Something Can Happen (detail from series), 2014, digital print and wood frame, 16 x 16 in (41 x 41 cm)
Be a Good Girl, 2012, mixed media installation, variable dimensions
Be a Good Girl, 2012, mixed media installation, variable dimensions
How Can You Contribute to the Success of the Treatment, 2012, mixed media, 106 x 51 x 18 in (270 x 130 x 45 cm)
I Love Mom and Dad, 2012, synthetic fur, printed fabric and hollofiber, variable dimensions
I Love Mom and Dad, 2012, synthetic fur, printed fabric and hollofiber, variable dimensions
Queen Esther 1 & 2, 2012, mixed media, 8 x 68 x 93 in (19 x 172 x 235 cm) each
Queen Esther 1 (detail of installation), 2012, mixed media, 8 x 68 x 93 in (19 x 172 x 235 cm)
It's Okay to Stick Out Your Tongue (detail from installation), 2012, mixed media video installation, 41⅓ x 23⅝ ø in (105x60 ø cm)
It's Okay to Stick Out Your Tongue (installation view), 2012, mixed media video installation
Untitled, 2014, lambda print on diasec structure, 53 x 36 in (135 x 90 cm)
Untitled, 2014, lambda print on diasec structure, 36 x 53 in (90 x 135 cm)
Untitled, 2014, lambda print on diasec structure, 53 x 36 in (135 x 90 cm)
Untitled, 2014, lambda print on diasec structure, 53 x 36 in (135 x 90 cm)
Untitled (from the I Am Forever Fog series), 2012, soft wax and pigments, 10 x 12 x 13 in (25 x 30 x 32 cm)
Whenever Wherever Whatever Has Happened Is Written Down on the Waters of Babel (detail from the series), 2014-15, tin, aluminum and paint with coffee grounds, 13 x 17 in (32 x 42 cm) (variable depth sizes)
Whenever Wherever Whatever Has Happened Is Written Down on the Waters of Babel (detail from the series), 2014-15, tin, aluminum and paint with coffee grounds, 13 x 17 in (32 x 42 cm) (variable depth sizes)
Tigris River (installation view), 2014, acrylic on aluminum cast, 11 x 14 in (28 x 36 cm) each
Tigris River, 2014, acrylic on aluminum cast, 11 x 14 in (28 x 36 cm)
