Device To Root Out Evil, 1997, Galvanized steel, perforated metal, Venetian glass, 20 x 10 x 12 ft
Heavy Dog Kiss, 1999, Cast epoxy, resin, rocks, marble and wood, 28 x 12 x 12 in (71 x 31 x 31 cm)
Study for: Still Dancing, Project for distillery district, Toronto, Canada, 2009, Pencil, colored pencil, oil wash and oil pastel on paper, 50 x 77 in (127 x 196 cm)
One of Many Smoke Animals, 1998, terracotta, beeswax covered cardboard, and cotton, dimensions variable
Annual Rings, 1968, 150 x 200 ft, U.S.A./Canada boundary at Fort Kent, Maine and Clair, New Brunswick. Schemata of annual rings severed by political boundary. Time: U.S.A. 1:30 pm; Canada 2:30 pm
Slow Clap for Satie, 1990-98, installation with live trees, motors, fiberglass, masks, and loop of Satie piano music, dimensions variable
Tree House, 2004, Sculptural Installation
A Theme for a Major Hit, 2008, Mixed media installation
